| | |  | Spyware | Home » » » » Reamde: A Novel | | | | | | | Description: | | Neal Stephenson, author of the #1 New York Times bestseller Anathem, returns to the terrain of his groundbreaking novels Snow Crash, The Diamond Age, and Cryptonomicon to deliver a high-intensity, high-stakes, action-packed adventure thriller in which a tech entrepreneur gets caught in the very real crossfire of his own online war game. In 1972, Richard Forthrast, the black sheep of an Iowa farming clan, fled to the mountains of British Columbia to avoid the draft. A skilled hunting guide, he eventually amassed a fortune by smuggling marijuana across the border between Canada and Idaho. As the years passed, Richard went straight and returned to the States after the U.S. government granted amnesty to draft dodgers. He parlayed his wealth into an empire and developed a remote resort in which he lives. He also created T’Rain, a multibillion-dollar, massively multiplayer online role-playing game with millions of fans around the world. But T’Rain’s success has also made it a target. Hackers have struck gold by unleashing REAMDE, a virus that encrypts all of a player’s electronic files and holds them for ransom. They have also unwittingly triggered a deadly war beyond the boundaries of the game’s virtual universe—and Richard is at ground zero. Racing around the globe from the Pacific Northwest to China to the wilds of northern Idaho and points in between, Reamde is a swift-paced thriller that traverses worlds virtual and real. Filled with unexpected twists and turns in which unforgettable villains and unlikely heroes face off in a battle for survival, it is a brilliant refraction of the twenty-first century, from the global war on terror to social media, computer hackers to mobsters, entrepreneurs to religious fundamentalists. Above all, Reamde is an enthralling human story—an entertaining and epic page-turner from the extraordinary Neal Stephenson. | | | Product Details: | | | Author:
| Neal Stephenson | | Hardcover:
| 1056 pages | | Publisher:
| William Morrow | | Publication Date:
| September 20, 2011 | | Language:
| English | | ISBN:
| 0061977969 | | Product Length:
| 9.36 inches | | Product Width:
| 6.58 inches | | Product Height:
| 2.08 inches | | Product Weight:
| 2.75 pounds | | Package Length:
| 9.3 inches | | Package Width:
| 6.5 inches | | Package Height:
| 2.4 inches | | Package Weight:
| 2.95 pounds | | Average Customer Rating:
| based on 325 reviews |
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| | | | Customer Reviews: | |
Average Customer Review:
( 325 customer reviews )
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218 of 239 found the following review helpful:
Excellent For What It IsSep 21, 2011
By Barney The good news: *REAMDE* is a great page-turner, a bit of a throwback to Stephenson's early, pseudonymous techno-thriller *Interface*. I stayed up all night charging through the first half, and seriously considered skipping work so I could finish it. Having finished it, I have to say that it reads like a streak, which isn't something you can say about any of Stephenson's other novels. However, it's in his digressions and excesses that Stephenson is great, which brings us to...
The bad news: although it wouldn't be accurate to call this a "beach read", it's true that it isn't anywhere near as ambitious as Stephenson's earlier work, and there are no outrageous, indelible set-pieces like the Cap n' Crunch chapter of *Cryptonomicon* or the Newton-Leibniz smack down from *The Baroque Cycle*. And with the exception of the hilarious medievalist Don Squared, the characters aren't very memorable. In particular Zula, the heroine, is a bit bland and unconvincing.
The bottom line: if you're a Stephenson fan, you'll probably be a little disappointed, but if you're new to his writing, this is a perfect introduction to his style and outlook.
114 of 125 found the following review helpful:
Undeniably a Stephenson book, but one of his odder ones....Sep 28, 2011
By W. Lawton Just finished this beast of a novel. It's strange to give one of the best thrillers ever written a four-star review, but there it is...because this is, it needs to be said, not a towering accomplishment along the lines of a Baroque Trilogy or a Cryptonomicon or even a Diamond Age.
One could be forgiven for, like me, being a little disappointed about that. Neal Stephenson is an author capable of towering accomplishments. For an author as preoccupied as he is with grand, sweeping ideas of cosmological scale and intricacy, it's jarring to pick up his latest novel and find yourself reading a thriller that's not about ideas as much as it is about fun.
But oh, what a thriller. It's a thousand pages with the dynamic energy of a bullet train or a wild mustang, screaming along with an almost unbearable intensity and narrative zest. I found myself nipping a hundred pages at a time, like trying to gag down a glass of Bacardi 151, because it moves with explosive speed and a madcap intensity that never really lets up. It's not a traditional Stephenson novel, but only a writer of his caliber could have crafted a thriller this long, complex, and energetic. And you get the sense that he just had a ridiculous amount of fun writing it.
It's worth every moment of the read, and it's terrific fun watching the thriller genre get worked over by a writer of a caliber rarely seen in the straight-to-paperback set. But it's still not really as good as some of his earlier stuff...so it's a four, reluctantly. Doesn't mean it's still not one of the best books I'll read this year.
190 of 225 found the following review helpful:
A pale ghost of the old StephensonSep 21, 2011
By Jyotirmoy Bhattacharya As an avid Stephenson fan, I feel let down after finishing Reamde. It is not as if it is a bad novel. In fact I would rate it as one of the better thrillers I have read in the last couple of years. If you like tales of very strong men and somewhat strong women in which lots of guns go off, then you will like Reamde. In its ambition and the quality of its execution it easily matches up to the works of the masters of this genre such as Clancy or Forsyth.
Yet, the book lacks the special Stephenson touch. First, there is no overarching theme tying the novel together. Cryptonomicon was about the elusive nature of information and wealth, the Baroque Cycle was about the rise of science and capitalism in the West. Having these deeper questions in the background made the surface action in the novels more meaningful. This time it is just a bunch of Good Guys chasing a bunch of Bad Guys.
Second, the characters in Reamde lack both depth and idiosyncrasy. Despite the length of the novel, there is so much going on that we do not get to know the nuances of the characters' personalities. I don't think I am the only Stephenson fan missing the Cap'n Crunch episodes. Though they start off with nominally different backgrounds and interests, as the novel progresses the good guys/girls all converge into a uniform mould of toughness, self-reliance and an aptitude for violence. The bad guys, apart form the chief villain, seem to exist just to be killed. These cookie-cutter "jihadists" seem to have been dropped in from some B-grade action movie script, for Stephenson does not seem to have any wish to examine either the ideology of religious fundamentalists or their social backgrounds. The cliched references to "virgins in heaven" are not what I had expected from an author who had earlier shown such a great awareness of history.
Finally, Stephenson depends too much on coincidences to tie the different plots threads together. This is particularly so in the way in which all the major characters are brought together to the same place for the final climax.
At times Stephenson's discussions of the difficulties in sustaining the game-world of T'rain seem to be ironical self-references to difficulties an author must face in sustaining an imaginary world that spans a thousand odd pages. But self-deprecation can go only so far. I would rather have the old Stephenson back. [Though to be fair, just having written one of the Baroque Cycle books is an achievement worthy of a lifetime.]
23 of 24 found the following review helpful:
Not up to his old standardSep 29, 2011
By D. Jones "Snow Crash" and "The Diamond Age" were two of my favorite books of all time, and "Cryptonomicon" was worth the time it took to plow through it.
For about the first half of "Reamde" I felt like I was reading "Cryptonomicon" all over again. There is a familiar balance of international characters, intrigue, wit and technological digressions that make it a pleasure to read for any fan of Stephenson's previous novels.
The story starts going downhill when it turns into a terrorist hunt. The al-Qaeda characters are wooden, undeveloped, and evil for unexplained reasons. There was plenty of space to get inside their heads and Stephenson didn't even try. Strike one.
Strike two is the verbose gunfight that takes up the last quarter or so of the book. It's far too detailed and very difficult to follow. I found myself losing track of where characters were and what they were doing, and couldn't even maintain a consistent mental image of the scene without getting thrown off by random inconsistent environmental details that Stephenson kept throwing in.
Strike three is the Hollywood-esque setup of the ending. Stephenson used to always leave important issues unresolved at the end of his stories, which made for good food for thought. This story ties up cleanly in the end but Stephenson had to seriously finesse reality in order to get it there.
I got the overall impression that Stephenson wrote half of the book in his old mode, where he simply had fun coming up with characters and situations to get them into; then he spend the second half of the book trying to squeeze out a coherent ending that would get all the characters to where they needed to be, but losing a lot of the inherent quality of his style in the process.
37 of 43 found the following review helpful:
I want to say "Yeah," but my heart says "Meh." Also my brain.Sep 24, 2011
By Rebecca Moss First off: I love Neal Stephenson's novels. In the two decades since he hit his stride with Snow Crash, he's put out an unbelievable string of books that are big in almost every way: big, round characters with big ideas doing big things all over a big, round world in books that are doorstop big. He's the rare writer who can write a book that is both a thriller and a novel of ideas without disappointing in either department. I picked up Reamde expecting another tour de force and, for the first 50-100 pages, I felt like I was going get just that. But by page 3 or 400, I had reluctantly come to the conclusion that it just wasn't going to happen this time, that this isn't so much a Thriller of Ideas as it is a thriller. Not that there's anything wrong with that. It's an intelligent person's thriller, with classic Stephenson touches like glamorous nerds, vivid Asian locations, innovative perspectives on society and technology, and liberal use of the word ramify (search any N.S. book and you will find things ramifying, I promise). There are even Shaftoes and Waterhouses, though here they're all called Forthrasts.
But the big ideas that seem to be coalescing in the opening chapters never quite materialize. The conceptual model behind T'rain is really cool, but I've been spoiled to the point where I fully expect to get at least one more equally ambitious concept every hundred or so pages and then have them all tie together at the end in some mind-blowing way. Instead, he sets a lot characters on collision courses with a couple of big coincidences, then spends the rest of the book just following the all the various pieces until they stop moving, typically because they've been shot. Still, it's an entertaining read. Coming from most other authors I'd probably be pleasantly surprised. The only reason I feel disappointed is because my expectations from Stephenson are so high. If Amazon's stars would take fractions, I'd give it 3.5/5
P.S., I was browsing the listings on his author page, and The Cobweb is rated just as high as Cryptonomicon. What's that about?
P.P.S. If you're going to charge me $17 for a book with zero manufacturing costs, please proof read it first. Newspapers have fewer typos and they are produced in a single day. Better yet, give me an advance copy and $1000, and I'll proof it for you. Hell, make it $10,000. At $17 a pop, you can clearly afford it.
****The above note about the typos was based on the original kindle edition. An update has since been released and I'm sure it addresses many of the quality control issues I was griping about. Even in the original edition, I wasn't bothered too much by the errors, per se, more by their existence in a book with such a premium price tag. They never obscured NS's intent and were really only an occasional and minor distraction.
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